When states in America raise the cry to censor ethnic studies, I shiver and pray that people everywhere raise their voices to louder decibels in protest. We don't have to look far to find chilling examples of the evils of censorship. The excerpt below comes from Azar Nafisi's eloquent book, READING LOLITA IN TEHRAN:
"Our class was shaped within this context, in an attempt to escape the gaze of the blind censor for a few hours each week. There, in that living room, we rediscovered that we were also living, breathing human beings; and no matter how repressive the state became, no matter how intimidated and frightened we were, like Lolita we tried to escape and to create our own little pockets of freedom. And like Lolita, we took every opportunity to flaunt our insubordination: by showing a little hair from under our scarves, insinuating a little color into the drab uniformity of our appearances, growing our nails, falling in love and listening to forbidden music.
An absurd fictionality ruled our lives. We tried to live in the open spaces, in the chinks created between that room, which had become our protective cocoon, and the censor's world of witches and goblins outside. Which of these two worlds was more real, and to which did we really belong? We no longer knew the answers. Perhaps one way of finding out the truth was to do what we did: to try to imaginatively articulate these two worlds and, through that process, give shape to our vision and identity."
Labels: Azar Nafisi, creative energy, creative flow, creative foundation, creative risk, fear of writing, inspiration to write